RTTP Speaking Rubric
| ARGUMENTATION | PREPARATION | CHARISMA/DECORUM | BODY | VOICE |
Points | The speech includes: | The speaker appears: | The speaker appears: | The speaker appears: | The speaker appears: |
5 | Intro-Body-Conclusion; transitions, and citations; a strong and clear thesis; all parts of the speech are consistent and coherent | Clearly well-prepared; not reliant on notes; makes effective use of eye contact. | Confident, passionate, and in command of her delivery; she captures her audience with her presentation. | In command of gesture, movement, and stillness; the speaker's physicality strengthens the message of the speech. | In control of volume, diction, pitch and rhythmic variation; avoids vocal pauses and filler words. |
4 | Nearly all of the required parts, but may lack transitions, a clear call to action, or incomplete citations. | Rehearsed and ready; relatively independent of notes; able to maintain eye contact with her audience. | Certain and earnest in her delivery. She relates issues directly to her audience, and they respond. | Reasonably deft in gesture, movement, and stillness, using her body to support her message. | Reasonably deft in using volume, diction, and pitch and rhythmic variation; vocal pauses and filler words are minimal. |
3 | Most required parts, but lacks clarity or wholeness; a weak or muddy thesis; vague information; sloppy citations. | Reasonably prepared; her use of notes doesn't prevent connection with her audience. | Adequate in her presention, but lacking conviction or passion. The speaker seems disengaged or merely "going through the motions." | Somewhat able to use gesture, movement, and stillness without distracting from the message of the speech. | Somewhat able to use volume, diction, pitch and rhythmic variation. Vocal pauses and filler words aren't overly distracting. |
2 | Fewer than half of the necessary parts; an insufficient thesis; irrelevant information; few citations | Under-prepared: uncertain, reliant on notes, or distracted; unable to maintain effective eye-contact. | Awkward or ill-at-ease with the audience, topic, or her own position. | Haphazard in utilizing gesture, movement, and stillness. | Haphazard in utilizing volume, diction, pitch and rhythmic variation effectively. Vocal pauses and filler words are frequent. |
1 | Little in the way of argument and/or basic logical structures that make it intelligible to the average listener | Clearly unprepared, avoids eye contact, and struggles throughout to deliver her message. | Clearly uncomfortable with herself and/or her subject; undermined by her self-presentation. | Out of control in utilizing gesture, movement, and stillness. Use of the body interferes with the message. | Out of control in utilizing volume, diction, pitch and rhythmic variation. Vocality interferes with understanding. |
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